THE PRODIGIOUS MUSICOLOGIST: Celebrating PROFESSOR AGATHA IJEOMA ONWUEKWE (UGONABO)

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2023: THE PRODIGIOUS MUSICOLOGIST: Celebrating PROFESSOR AGATHA IJEOMA ONWUEKWE (UGONABO) JUNE 2023

Table of Contents

Articles

CHAPTER 1: REVEALING THE PERSON OF THE PRODIGIOUS MUSICOLOGIST, PROFESSOR AGATHA IJEOMA ONWUEKWE (UGONABO) Ebele V. V. Ojukwu (PhD)

PDF 1-25

CHAPTER 2: TRAINING OF MUSICIANS IN NIGERIA: THE CONTRIBUTIONS OF PROFESSOR AGATHA IJEOMA ONWUEKWE Johnbosco Mbah-Offor, John Ajewole PhD

PDF 26-33

CHAPTER 3: PROFESSOR AGATHA ONWUEKWE AND THE QUEST FOR AN AUTHENTIC AFRICAN IDENTITY Akioya Innocent Iyabosa (PhD)

PDF 34-41

CHAPTER 4: AGATHA ONWUEKWE: THE LIVING MUSIC LEGEND Isaac E. Udoh, PhD

PDF 42-51

CHAPTER 5: PROFESSOR AGATHA IJEOMA ONWUEKWES' CONTRIBUTION TO MUSIC EDUCATION: A STUDY OF EVERY STUDENT A MUSICIAN AT MOUNTAIN TOP UNIVERSITY Emmanuel Ayodele Ajayi, John Ajewole PhD

PDF 52-66

CHAPTER 6: AGATHA ONWUEKWE'S CONCEPT OF THE ART OF CONDUCTING IN MUSIC AND PERFORMANCE J. O. FALUSI (PhD)

PDF 67-79

CHAPTER 7 : STRUCTURAL ANALYSIS OF GOZUK'S YA DAN TUNKIYA NA ALLAH USING AGATHA ONWUEKWE'S ADAPTATION OF EZEGBES'S PHILOSOPHY TOWARDS UNDERSTANDING AND APPRECIATION OF HAUSA LITURGICAL MUSIC Alexander Joshua Gozuk, Festus I. Olisaeke (PhD)

PDF 80-90

CHAPTER 8: A COMPARATIVE ANALYSIS OF PROFESSOR AGATHA ONWUEKWE'S NWANNEM AND PROFESSOR VICTOR UWAIFO'S JOROMI. Mabel Ugochi Okpara (PhD)

PDF 91-111

CHAPTER 9: WOMEN IN ART MUSIC COMPOSITION IN NIGERIA: PERSPECTIVE ON ONWUEKWE'S COMPOSITIONS AND ARRANGED WORKS Rita Adaobi Sunday-Kanu, Eyiuche Rita Modeme

PDF 112-127

CHAPTER 10 : ONWUEKWE LOGICAL ANALYTICAL MUSICAL APPROACH TO AFRO-MUSICAL STUDIES Samuel Yohanna Davou

PDF 128-142

CHAPTER 11 : PROFESSOR AGATHA ONWUEKWE'S ENDEAVOURS IN MUSIC COMPOSITION, EDUCATION, AND HUMAN CAPITAL DEVELOPMENT IN NIGERIA Sunday Ofuani, Rebecca Ufuoma oghene Ogbeide

PDF 143-153

CHAPTER 12 : ROLES OF MOTHER IN THE FAMILY: PROF. AGATHA IJEOMA ONWUEKWE AS A MOTHER AND A ROLE MODEL Augustina Chizoba Ezebube (PhD)

PDF 154-162

CHAPTER 13 :THE EFFECT OF BACKGROUND MUSIC DURING STUDY TIME: A CASE STUDY OF MOUNT OLIVE COLLEGE UMUNYA Chisom Odinaka Ezeobiora, Chinyere C. Esimone (PhD)

PDF 164-172

CHAPTER 14 : NEUROLOGICAL BASIS FOR MUSIC IN EARLY CHILDHOOD EDUCATION IN NIGERIA Alfred Gelles Albert (PhD), Lawson Iyene-Emi

PDF 173-188

CHAPTER 15 : THE PRESERVATION OF FOLK TRADITION FOR EDUCATION IN NIGERIA Adeolu Abe, Paulina O. Adeolu-Abe

PDF 189-194

CHAPTER 16 : ALBERT BANDURA'S SOCIAL LEARNING THEORY: THE SIGNIFICANCE Chinyere Amoyedo-Peter

PDF 194-204

CHAPTER 17 : CREATING A SAFE ENVIRONMENT FOR MUSIC TEACHING AND LEARNING IN SECONDARY SCHOOLS IN THE IDEMILI LOCAL GOVERNMENT AREA OF ANAMBRA STATE Ebele V. Ojukwu (PhD), Adaora Echezona

PDF 205-215

CHAPTER 18 : PROBLEMS MILITATING AGAINST THE IMPLEMENTATION OF MUSIC TECHNOLOGY COURSES IN NIGERIAN UNIVERSITIES: A STUDY OF UNIVERSITY OF PORT HARCOURT, RIVERS STATE. Esinkuma James Amaegbe (PhD)

PDF 216-227

CHAPTER 19 : EFFECT OF VOCAL MUSIC ON LEARNING AMONG PUPILS IN SELECTED PRIMARY SCHOOLS IN IKOT EKPENE LOCAL GOVERNMENT AREA, AKWA IBOM STATE Johnson James Akpakpan, Mary Johnson Akpakpan, Peremodoere Ayebatonye-Fatayi

PDF 228-240

CHAPTER 20 : AFRICAN TRADITIONAL MUSICAL ARTS EDUCATION: ONWUEKWE'S APPROACH TO TRADITIONAL MUSIC AND DANCE PEDAGOGY Masaikek Harold Nturem

PDF 241-248

CHAPTER 21:THE IMPORTANCE OF MUSIC EDUCATION IN CHILD DEVELOPMENT IN CONTEMPORARY NIGERIA: A SURVEY OF EARLY YEAR CLASSES Chukwuma Marian Edohan

PDF 249-257

CHAPTER 22 : EDUCATIONAL VALUES OF INDIGENOUS FOLK SONGS TO CHILDREN: A STUDY OF SELECTED FOLK SONGS OF AWKA TOWN, ANAMBRA STATE Joy Nwobu, Ikedi N. Okeke (PhD)

PDF 258-281

CHAPTER 23 : APPLYING A LEARNING THEORY ON THE EFFECT OF ANXIETY ON THE ACADEMIC PERFORMANCE OF MUSIC STUDENTS IN TARI-PET SECONDARY SCHOOL. Peace Ifeoma Okpararuekwe (PhD)

PDF 282-289

CHAPTER 24 : THE PLACE OF MUSIC IN THE LINGUISTIC DEVELOPMENT OF PRESCHOOLERS: IMPLICATION FOR LANGUAGE DEVELOPMENT IN EARLY CHILDHOOD EDUCATION Lovelyn C. Olisaeke, Festus Ife Olisaeke (PhD)

PDF 282-289

CHAPTER 25: COMPETENCE-BASED CHALLENGES OF CCA INTRODUCTION IN UBE AS IT AFFECTS MUSIC AND REMEDIAL MEASURES Iruoma Amaka Ugoo-Okonkwo (PhD), Chinyere Celestina Esimone (PhD)

PDF 290-300

CHAPTER 26: EXPLORING THE HARMONICA FOR RUDIMENTARY MUSIC Ikedimma Nwabufo Okeke (PhD)

PDF 301-315

CHAPTER 27 :A PRACTICAL APPLICATION OF MUSIC TO THE PEDAGOGY OF FRENCH AS A SECOND LANGUAGE Olivia Ezeafulukwe (PhD), Scholastica Ezeodili (PhD)

PDF 316-325

CHAPTER 28 : THE EMERGENCE OF PRESSURE GROUPS IN NIGERIA: A SECTARIANS UPHEAVAL OF ODUA PEOPLES' CONGRESS (OPC) AND MOVEMENT FOR THE SURVIVAL OF OGONI PEOPLE (MOSOP) Austin Inyamigim

PDF 327-335

CHAPTER 29 POPULAR MUSIC, ATOOLFOR POLITICALINCLUSION IN NIGERIA Precious Adokiye Omuku (PhD)

PDF 336-341

CHAPTER 30 : MUSIC, A POTENTIAL TOOL IN HOMELAND SECURITY AND COUNTER TERRORISM: NIGERIA IN PERSPECTIVE Paschal Chibuike Ozoaghuta

PDF 342-348

CHAPTER 31 : THE MUSICIAN AS A MESSENGER OF HOPE IN DIFFICULT TIMES: A REVIEW OF E. C. ARINZE'S ADIAKALU UBOSI David Chinedum Arinze

PDF 350-360

CHAPTER 32: ASSESSMENT OF THE APPROPRIATENESS OF THE PHILOSOPHICAL CONTENT OF THE MUSIC CURRICULUM IN FEDERAL COLLEGES OF EDUCATION IN NORTH CENTRAL STATES OF NIGERIA Agatha Ngozi Abdullahi (PhD)

PDF 361-371

CHAPTER 33 : MUSIC AND PHILOSOPHY: DIFFERENTIAL LIMITS AND COEFFICIENT Jude I. Onebunne (PhD)

PDF 372-386

CHAPTER 34 : SACRED MUSIC AND ITS DEVELOPMENT IN THE (CATHOLIC) CHURCH Rev. Fr. Dr. Nich Anudu

PDF 387-396

CHAPTER 35:THE FUNDAMENTAL PRINCIPLES OF CATHOLIC LITURGICAL MUSIC COMPOSITION: THE SECOND VATICAN COUNCIL PERSPECTIVES Loretta Nkechinyere Okoro, Rev Sr. Prof. Cordis Mariae Achikeh

PDF 397-415

CHAPTER 36 : ANALYTICAL DISCOURSE ON THE SECURITY POTENCY STRUCTURE OF ABIDE WITH ME Prof. Layade Atinuke Adenike

PDF 416-430

CHAPTER 37 : FROM HYMNS TO GOSPEL MUSIC: THE AFRICANIZATION OF WESTERN STRUCTURES Prof. Onyee N. Nwankpa

PDF 431-452

CHAPTER 38: SOCIAL RELEVANCE OF SALOKO MUSIC IN PUBERTY RITES CUSTOM OF THE ÓKPÈ PEOPLE Odah Orhoho, Prof. Emurobomo G. Idolor

PDF 453-469

CHAPTER 39 : THE POSITION OF MEMBRANE DRUM (IBID) IN IBIBIO TRADITIONAL SOCIETY VIS-À-VIS AFRICAN CULTURE Ekaette C. Udok (PhD)

PDF 470-484

CHAPTER 40 : MUSIC AND TOURISM AS AGENTS OF HUMAN RESOURCE DEVELOPMENT IN NIGERIA Ifeoma P. Okechukwu

PDF 485-501

CHAPTER 41 : CHORAL ART MUSIC COMPOSITION ACCOMPANIMENT: SELECTED IBIBIO TRADITIONAL INSTRUMENTS Precious Kufre Udoh

PDF 502-512

CHAPTER 42 : ETHNOMUSICOLOGY SPONTANEITY AND FORMALIZATION IN EXPRESSIVE MUSICAL CULTURE TO PROMOTE PUBLIC HEALTH Samuel Jackson Udo, Eunice U. Ibekwe

PDF 513-530

CHAPTER 43 : THE EARLY PERIOD OF CHORAL ART MUSIC COMPOSITION IN THE ANGLICAN COMMUNION PROVINCE OF THE NIGER, NIGERIA: 1930-1960 Ifeanyi Onyedika Okafor, Rev. Fr. Prof. Emmanuel Chukwuemenam Umezinwa

PDF 531-549

CHAPTER 44:THE COMPOSITIONAL DETERMINANTS OF AFRO-AMERICAN MUSIC Sunday S. Udofia (PhD)

PDF 550-555

CHAPTER 45 : A MUSICAL AND DIDACTIC APPRAISAL OF FIVE FOLK SONGS IN AMUNDI VILLAGE OF EHA-ALUMO , NSUKKA L.G.A, ENUGU STATE NIGERIA Emmanuel Nnazimako Asogwa, David Sopuluchukwu Umeojiaka (PhD)

PDF 556-573

CHAPTER 46 : THE TRADITIONAL DANCE IN NIGERIA: A STUDY OF SELECTED INDIGENOUS DANCE Chinazor Roseline Okpokwasili

PDF 574-587

CHAPTER 47 : TRADITIONAL MUSIC IN AFRICA: THE NKEREFI EXPERIENCE IN NKANU LOCAL GOVERNMENT AREA OF ENUGU STATE James C. Chukwu

PDF 588-595

CHAPTER 48 : THE SEMANTICS OF HIGHLIFE MUSIC IN NIGERIA: A STUDY OF “FUNNY FUNNY IDENTITY” BY OLIVER DE COQUE Alexander Walsh Erhiegueke, Matthew Ikenna Okos, Chinyere Celestina Esimone (PhD)

PDF 597-606

CHAPTER 49 : THE SPHERES OF POST-STRUCTURALISM IN NIGERIAN MUSICAL ARTS Prof. Nnamdi Chiedu Onuora-Oguno

PDF 607-614

CHAPTER 50 : COLLABORATION AMONG NIGERIA POP-MUSICIANS IN THE MUSIC INDUSTRY AND CONTRIBUTIONS TO NATIONAL DEVELOPMENT: AN EXPOSITORY STUDY Kenneth Anosike Opara, Prof. E.U. Ibekwe

PDF 615-624

CHAPTER 51 : A CHRONOLOGY OF FRAUD-GLORIFYING POP SONGS IN NIGERIA: A SURVEY OF SONGS FROM 2007-2020 Kolawole James Rasheed

PDF 625-639

CHAPTER 52 : THE EFFICACY OF MUSICAL ACCOMPANIMENT IN THEATRICAL PRODUCTION: AN EXAMPLE OF SELECTED MUSIC DYNAMICS Sunday Olufemi Akande

PDF 640-647

CHAPTER 53 : ORIN IBEJI AS YORUBÌ A ìFOLKLORE Oluseyi Babatunji Dada, Adejoke Omolabake Dada, Olufunke Temitope Adeniyi

PDF 648-655