CHAPTER 46 : THE TRADITIONAL DANCE IN NIGERIA: A STUDY OF SELECTED INDIGENOUS DANCE

Chinazor Roseline Okpokwasili

Abstract


Nigeria is a country with a lot of tribes-each of them varying in culture and tradition. Traditional or cultural dance had been a mainstay in the history of Nigeria. There are several aspects of cultural differences, most of them symbolically representing the same things but done in a completely different context and one of the major aspects of culture in Nigeria is dance. Nigerian traditional dances have a way of unifying the people in one way or the other and sometimes telling stories via accompanying music. These stories may differ from tribe to tribe and most often reflect on victory, beauty, honesty, love, wars and the like. Dance is a language which expresses the geographical locations, biological temperament, religious beliefs, political and historical experience, social practice and economic peculiarities of the people that own it. Dance in every community is appreciated for its aesthetic appeal as well as religious and communication significance. The beauty of the Nigerian dance lies in its combination of purpose and high aesthetic concern, its celebration and reflection of communal life and virtue, and its embodiment of the collective beliefs and symbols, which constitute both the structure and content of the art and its ideal frankness and intensity of expression. Based on this, this paper selected a few popular traditional or cultural dances in Nigeria, studying their origin, their techniques and styles, the costume, the instruments used (instrumentation), and the performance context.

Keywords: Nigerian Indigenous dances, Performance contexts, Cultural differences and Dance as a unifying factor


Full Text:

PDF

References


Abbe, J.E. (2007). The dance art in Nigeria. In C. Ugolo (Ed) Perspectives in Nigerian Dance

Studies. 1-14. Ibadan: Caltop Publishers.

Agaku, J. M. (2008). The Girinya dance theatre of Tiv people of Nigeria: An aesthetic evaluation.

International Journal of Intangible Heritage 30-41.

Agu, D.C.C. (2000). Music in the Nigerian culture: Type and practices. In N. E. Orjiakor,

Unachukwu, G.C. & Obiajulu, A. (Eds.). Challenges of National Youth Growth and

Development in Nigeria.(pp. 79-88). Enugu: John Jacobs Class Publishers.

Agu, D.C.C (2010). Lecture notes on music and dance. Delivered to M.A. Students of 2009/2010

Session. Nnamdi Azikiwe University Awka.

Akas, N. C. (2014). Indigenous dance beyond movement: ASemitonic metaphor of Idu

Akpo dance performance. Awka Journal of Research in Music and Arts(AJRMA).I O, 192-203.

Akpede, D. (2010). Towards a taxonomy of Tiv theatre. Markurdi: A. K. Printing and Publishing.

Bankole, E. (2018). Koroso dance history in Nigeria. Retrieved from

https://www.legit.ng>Asklegit on 16/11/2021.

Ekhosuehi, A. (2020). Ohogho dance of Benin culture. Retrieved from https://www.

Edoworld.net>ohogho on 17/11/2021.

Ene, O.A. (2019). Dramatic features of the Abang dance performance of the Efiks of

Nigeria. International Journal of English Literature and Social Science.Retrieved

from https://dx.doi.orgin.22161/ije/s.4433

Enekwe, O. (1981). Myth, ritual and drama in Igboland. In Y. Ogunbiyi (Ed.) Drama and Theatre

in Nigeria: ACritical Source Book.(pp. 149-155). Lagos: Nigeria Magazine Publication.

Enekwe, O.O. (1991). Theories of dance in Nigeria. Nsukka: Afa Press.

Nyitse, L.M. (2006). Form and content of Tiv Songs. Makurdi; Aboki Publishers.

Okpala, N. H. (2015). Dance music in Igbo culture: Adescriptive study of igba akwu na-eche enyi

of Ichida. Awka Journal of Research in Music and Arts (AJRMA), 11, 95-110.

Okpala, N.H. (2016). Traditional music in Igbo culture: Acase study of Idu cultural dance of

Akpo in Aguata Local Government Area of Anambra State. International

Multidisciplinary Journal, Ethopia, 10(1), 87-103.

Ojuade, J.O. (2013). Dance culture and development in Nigeria: Astudy of gese dance Of the

Yorubas. Retrieved from www.studylib.net, November 16,2021

Onwuka, U.A. (2012). Abasic text for dance education in Nigeria. Onitsha: Jenison.

Onyekwelu, T. (2011). African Organized Dance. A case study of Igba Enyi-Nimo. Nimo Rex

Charles and

Refined, N. G. (2020, November 7). The Koroso dance. Retrieved from

https://refinedng.com/tag/korosodance/.

Refined, N. G. (2021, January 30). Ukwata dance.Retrieved from https://refinedng.com> culture.

Sorell, W. (1967). The dance through the ages: New York: Grosset and Dunlap, p. 10.

St e emit. ( 2 0 1 6 , Ma r c h ). Ni g e ri a tr a d iti o n a l d a n c e s. Re tri e v e d fr om

https://steemit.com>dance.nigeria.

Tsevende, R.A;. Agber T.C,; Iorngurum, D.S. & Ughagir N.N. ( 2013). Tiv swange music and

dance. Nigeria: Midan Press.

Umezinwa, E.C. (2009). Igbo Music, freedom and philosophy. Awka Jpurnal of Research in

Music and Arts.(AJRMA), 6, 123-136.

Warren, L. (1975). The theatre of Africa: An introduction.Eaglewood: Cliffs.


Refbacks

  • There are currently no refbacks.


Copyright © 2023. The PROFESSOR AGATHA IJEOMA ONWUEKWE FESHCRIFT TEAM. 


Powered by Myrasoft Systems Ltd.(http://www.myrasoft.ng)