CHAPTER 43 : THE EARLY PERIOD OF CHORAL ART MUSIC COMPOSITION IN THE ANGLICAN COMMUNION PROVINCE OF THE NIGER, NIGERIA: 1930-1960

Ifeanyi Onyedika Okafor, Rev. Fr. Prof. Emmanuel Chukwuemenam Umezinwa

Abstract


Many scholars have written on the general development of art music in Nigeria, as well as on the Igbo land but have not narrowed the study to the Anglican Communion, Province of the Niger, Nigeria. This paper, however, limits its study to the Anglican Communion, Province of the Niger, Nigeria and focuses on the early period of the development of choral Art music composition from 1930 to 1960. It also documents some of the compositions of the composers that existed during the period, as well as the backgrounds of the early composers. The researcher employed a bibliographical method and analytical study of the compositions of the early composers for data collection. The study hinges on the theory of development as freedom as propounded by Amartya Sen in 1999 and concludes that choral Art music composition in the Anglican Communion, Province of the Niger, Nigeria, has developed to a high level of sophistication and has gained wide acceptance among the worshippers.

Keywords: Development of choral art music, Composition, Anglican Communion and Province of the Niger.


Full Text:

PDF

References


Agu, D. C. C. (2002). Igbo literary choral music in contemporary Nigeria: The journey so far. In E.

Idolor (Ed.), Music in Africa: facts and illusions (pp. 82-98). Ibadan: Stirling-Horden.

Agu, D. C. C. (2010). Foundation of pragmatics: The primacy of language in African music

theory, practice and education. Journal of Association on Nigerian Musicologists, 4, 10-

Agu, D. C. C. (2012). Acceptability of contemporary choral music in Christian worship: The Igbo

experience. Nsukka Journal of Musical Arts Research, 1, 29-36.

Agu, D. C. C. (2016). The “Youth Songs” as major derivative of Igbo traditional songs. Journal of

Association of Nigerian Musicologists, 10, 123-139.

Agu, D. C. C. (2017). Utilizing the power of music in contemporary Nigeria: An Inaugural

Lecture. Nnamdi Azikiwe University, Awka. Onitsha: Noben Press.

Echezona, W. W. C. (1963). Ibo Musical Instruments in Ibo Culture. Ann Arbor: University of

Michigan.

Ekwueme, L. E. N. (2004). Essays on African and African-American music and culture. Lagos:

Lenaus Publishing Ltd.

Nwamara, A. O. (2009). Igbo art music composers and globalization. Journal of the Association of

Nigerian Musicologists, 3, 144-151.

Ogunenwu, M. L. (2010). Taylor, John Christopher, Nigeria, Church Missionary Soceity.

(www.dacb.org/stories/nigeria/taylor_jc3.html)

Okafor, R. C. (1976). The impact of Christianity on Igbo religious music. Unpublished B. A.

Project, Department of Music, University of Nigeria, Nsukka.

Okafor, R. C. (2015). Hundred years of church music in Nigeria: 1914-2014. A Keynote Address

th

presented at the 11 Centenary Church Music Conference held at the Department of

Music, University of Port-Harcourt, 20-23 April.

Okafor, R. C. (2017). The emergence of neo-traditional forms in contemporary Church music in

Eastern Nigeria (pp. 23-32). In Bode Omojola (Ed.), Music and Social Dynamics in

Nigeria. New York: Peter Lang Publishing, Inc.

Okonkwo, V. N. (2006). Christian religious music in contemporary Nigeria and its relevance to

social reconstruction. Journal of Association of Nigerian Musicologists, 2, 156-175.


Refbacks

  • There are currently no refbacks.


Copyright © 2023. The PROFESSOR AGATHA IJEOMA ONWUEKWE FESHCRIFT TEAM. 


Powered by Myrasoft Systems Ltd.(http://www.myrasoft.ng)